{"id":498,"date":"2019-01-12T10:49:55","date_gmt":"2019-01-12T10:49:55","guid":{"rendered":"http:\/\/hortusmusicalis.fr\/?p=498"},"modified":"2019-01-12T10:58:23","modified_gmt":"2019-01-12T10:58:23","slug":"musikalische-exequien","status":"publish","type":"post","link":"https:\/\/hortusmusicalis.fr\/?p=498","title":{"rendered":"Musikalische Exequien"},"content":{"rendered":"<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: x-large;\"><b>Cr\u00e9ation mondiale<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: x-large;\"><b>Musikalische Exequien 2017<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: x-large;\"><b>G\u00e9rard HILPIPRE<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Musikalische Exequien<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Oeuvres pour le temps de <\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Passion et de P\u00e2ques<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Johann BACH (1604-1673)<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Johann Christoph BACH (1642-1703)<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Felix MENDELSSOHN (1809-1847)<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Johannes BRAHMS (1833-1897)<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: large;\"><b>Hugo DISTLER (1908-1942)<\/b><\/span><\/span><\/p>\n<p align=\"CENTER\">\n<p align=\"CENTER\"><a href=\"http:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/01\/resurection-ISSENHEIM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-503 alignright\" src=\"http:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/01\/resurection-ISSENHEIM-167x300.jpg\" alt=\"\" width=\"286\" height=\"513\" srcset=\"https:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/01\/resurection-ISSENHEIM-167x300.jpg 167w, https:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/01\/resurection-ISSENHEIM-571x1024.jpg 571w, https:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/01\/resurection-ISSENHEIM.jpg 720w\" sizes=\"auto, (max-width: 286px) 100vw, 286px\" \/><\/a><\/p>\n<p align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">Chacune des parties de cette oeuvre (dont le titre constitue un hommage \u00e9vident<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">aux \u00ab Musikalische Exequien \u00bb de Heinrich Schu\u0308tz) peut \u00e9ventuellement \u00eatre<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">donn\u00e9e s\u00e9par\u00e9ment, par exemple au cours d\u2019un office fun\u00e8bre. N\u00e9anmoins, le sens<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">musical et surtout spirituel complet de l\u2019oeuvre ne se r\u00e9v\u00e8le que lors de la<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">succession de ses sept parties.<\/span><\/span><\/p>\n<p align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">L\u2019oeuvre est destin\u00e9e \u00e0 un petit choeur (12 \u00e0 16 voix environ). Si elle est chant\u00e9e<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">par un choeur sp\u00e9cialis\u00e9 dans la musique ancienne, les parties d\u2019altos pourront<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">\u00eatre confi\u00e9es \u00e0 des contre-t\u00e9nors.<\/span><\/span><\/p>\n<p align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">L\u2019oeuvre doit toujours \u00eatre chant\u00e9e en allemand.<\/span><\/span><\/p>\n<p style=\"padding-left: 30px;\" align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">I \u2013 Nackt bin ich von meiner Mutter Leibe gekommen\u00a0 \u00a0<\/span><\/span><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">(Job I\/21)<\/span><\/span><\/p>\n<p style=\"padding-left: 30px;\" align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">II \u2013 Wenn ich nur dich habe\u00a0 \u00a0\u00a0<\/span><\/span><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">(Psaume 73\/25-26)<\/span><\/span><\/p>\n<p style=\"padding-left: 30px;\" align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">III \u2013 Ich weiss, dass mein Erl\u00f6ser lebt .\u00a0\u00a0<\/span><\/span><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">(Job XIX\/25-26)<\/span><\/span><\/p>\n<p style=\"padding-left: 30px;\" align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">IV \u2013 Herr, nun l\u00e4sst du deinen Diener in Frieden fahren\u00a0 \u00a0<\/span><\/span><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">(Luc II\/29-32)<\/span><\/span><\/p>\n<p style=\"padding-left: 30px;\" align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">V \u2013 Also hat Gott die Welt geliebt .\u00a0\u00a0<\/span><\/span><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">(Jean III\/16)<\/span><\/span><\/p>\n<p style=\"padding-left: 30px;\" align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">VI \u2013 Christus ist mein Leben und Sterben ist mein Gewinn .\u00a0\u00a0<\/span><\/span><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">(Philippiens I\/21)<\/span><\/span><\/p>\n<p style=\"padding-left: 30px;\" align=\"LEFT\">\u2022 <span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">VII \u2013 Selig sind die Toten\u00a0 \u00a0<\/span><\/span><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">(Apocalypse XIV\/13)<\/span><\/span><\/p>\n<p><span style=\"font-family: Palatino, serif;\"><span style=\"font-size: medium;\">Le programme du concert est compl\u00e9t\u00e9 par des \u0153uvres de musiques spirituelles dont l&rsquo;oeuvre de G\u00e9rard Hilpipre s&rsquo;est nourrie. Des motets de Johann BACH, Johann Christoph BACH, Felix MENDELSSOHN, Johannes BRAHMS, Hugo DISTLER seront interpr\u00e9t\u00e9s \u00e0 cet effet.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt;\"><strong>CONCERTS<\/strong><\/span><\/p>\n<p style=\"text-align: center;\">Eglise protestante de <strong>BOUXWILLER<\/strong><br \/>\nSamedi 13 avril 2019 \u00e0 20h00<\/p>\n<p style=\"text-align: center;\">Eglise protestante de <strong>SAINT-DI\u00c9<\/strong><br \/>\nDimanche 14 avril 2019 \u00e0 17h00<\/p>\n<p style=\"text-align: center;\">Eglise Ste Aur\u00e9lie <strong>STRASBOURG<\/strong><br \/>\ndimanche 28 avril 2019 \u00e0 17h00<\/p>\n<p>&nbsp;<\/p>\n<p align=\"CENTER\"><b>Casting<br \/>\n<\/b><b>20 chanteurs,\u00a0<\/b><b>orgue positif<br \/>\n<\/b><b>Direction<\/b><\/p>\n<table class=\"aligncenter\" style=\"width: 586px;\" border=\"1\" width=\"586\" cellspacing=\"0\" cellpadding=\"4\">\n<colgroup>\n<col width=\"69\" \/>\n<col width=\"265\" \/>\n<col width=\"89\" \/>\n<col width=\"291\" \/> <\/colgroup>\n<tbody>\n<tr valign=\"TOP\">\n<td style=\"width: 81px;\">\n<p align=\"LEFT\"><strong>Sopranos<\/strong><\/p>\n<\/td>\n<td style=\"width: 186px;\">\n<p align=\"LEFT\"><b>Claire REVERDI<br \/>\n<\/b>Myriam GESTER<br \/>\nAnne ANDR\u00c9<br \/>\nAnne PEUDEPIECE<br \/>\nMarie-Agn\u00e8s HANSS<\/p>\n<\/td>\n<td style=\"width: 69px;\">\n<p align=\"LEFT\"><b>Altos<\/b><\/p>\n<\/td>\n<td style=\"width: 208px;\">\n<p align=\"LEFT\"><b>Anne WALDVOGEL<br \/>\n<\/b>C\u00e9cile ROOS<br \/>\nMaril\u00e8ne SUTTER<br \/>\nDoris GURA<br \/>\nCamille LASSERE<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"TOP\">\n<td style=\"width: 81px;\">\n<p align=\"LEFT\"><strong>T\u00e9nors<\/strong><\/p>\n<\/td>\n<td style=\"width: 186px;\">\n<p align=\"LEFT\"><b>Denis LECOQ<br \/>\n<\/b>Paul WALTHER<br \/>\nAlexandre DUHAU<br \/>\nRichard BENEDICTO<br \/>\nPhilippe FRISON<\/p>\n<\/td>\n<td style=\"width: 69px;\">\n<p align=\"LEFT\"><strong>Basses<\/strong><\/p>\n<\/td>\n<td style=\"width: 208px;\">\n<p align=\"LEFT\"><b>Ren\u00e9 SCHIRRER<br \/>\n<\/b>Daniel REVERDI<br \/>\nThomas LOESCHNER<br \/>\nRobert LACROIX<br \/>\nJean MOISSONNIER<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"TOP\">\n<td style=\"width: 81px;\">\n<p align=\"LEFT\">Orgue<\/p>\n<\/td>\n<td style=\"width: 186px;\">\n<p style=\"text-align: center;\" align=\"LEFT\">Weronika STALOWSKA<\/p>\n<\/td>\n<td style=\"width: 287px;\" colspan=\"2\">\n<p align=\"CENTER\">Direction J<b>ean-Luc IFFRIG<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00e9ation mondiale Musikalische Exequien 2017 G\u00e9rard HILPIPRE Musikalische Exequien Oeuvres pour le temps de Passion et de P\u00e2ques Johann BACH (1604-1673) Johann Christoph BACH (1642-1703) Felix MENDELSSOHN (1809-1847) Johannes BRAHMS<a href=\"https:\/\/hortusmusicalis.fr\/?p=498\" class=\"more-link\"><span class=\"readmore\">Continue reading<span class=\"screen-reader-text\">Musikalische Exequien<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-498","post","type-post","status-publish","format-standard","hentry","category-projets"],"_links":{"self":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts\/498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=498"}],"version-history":[{"count":8,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts\/498\/revisions"}],"predecessor-version":[{"id":507,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts\/498\/revisions\/507"}],"wp:attachment":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}