{"id":639,"date":"2019-10-19T06:46:04","date_gmt":"2019-10-19T06:46:04","guid":{"rendered":"http:\/\/hortusmusicalis.fr\/?p=639"},"modified":"2022-02-07T11:49:24","modified_gmt":"2022-02-07T11:49:24","slug":"actus-tragicus","status":"publish","type":"post","link":"https:\/\/hortusmusicalis.fr\/?p=639","title":{"rendered":"ACTUS TRAGICUS &#8211; Production mars 2021"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><span style=\"font-size: 18pt;\">CONCERTS<\/span><\/strong><\/p>\n<div style=\"text-align: center;\"><b>Samedi 19 mars 2022<\/b> : g\u00e9n\u00e9rale publique \u00e0 OFFWILLER<\/div>\n<div style=\"text-align: center;\"><b>Dimanche 20 mars 17h00<\/b>\u00a0: Concert \u00e0 HAGUENAU \u00e9glise protestante<\/div>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\"><b>Samedi 26 mars 2022<\/b>\u00a0\u00e0 20h00 : Concert \u00e0 STRASBOURG Ste Aur\u00e9lie<\/div>\n<div style=\"text-align: center;\"><b>Dimanche 27 mars 2022<\/b>\u00a0\u00e0 16h00 : Concert \u00e0 MULHOUSE Ste Marie<\/div>\n<div><\/div>\n<p align=\"CENTER\"><a href=\"http:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/10\/450px-Bachsiegel.svg_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-640\" src=\"http:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/10\/450px-Bachsiegel.svg_-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/10\/450px-Bachsiegel.svg_-225x300.jpg 225w, https:\/\/hortusmusicalis.fr\/wp-content\/uploads\/2019\/10\/450px-Bachsiegel.svg_.jpg 450w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p align=\"CENTER\"><span style=\"font-size: 14pt;\"><b>ACTUS TRAGICUS<\/b><\/span><\/p>\n<p style=\"text-align: center;\"><b>Johann Sebastian BACH (1685-1750)<br \/>\n<\/b>Cantate \u00ab\u00a0Christ lag in Todesbanden\u00a0\u00bb BWV 4<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 12pt;\"><b>Andreas WECKMANN (1616-1674)<br \/>\n<\/b><\/span><span style=\"font-size: 12pt;\">Wie liegt die Stadt so w\u00fcste <\/span><\/p>\n<p style=\"text-align: center;\">orgue :<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 12pt;\"><b>Johann Christoph BACH (1642-1703)<br \/>\n<\/b><\/span><span style=\"font-size: 12pt;\">Wie bist du denn o Gott<br \/>\n<\/span><span style=\"font-size: 12pt;\">Ach das ich Wassers gnug h\u00e4tte<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 12pt;\"><b>Johann Sebastian BACH (1685-1750)<br \/>\n<\/b>Actus Tragicus \u00ab\u00a0Gottes Zeit ist die allerbeste Zeit\u00a0\u00bb BWV 106 <\/span><\/p>\n<p>&nbsp;<\/p>\n<p align=\"CENTER\"><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\"><b>L&rsquo;Ensemble HORTUS MUSICALIS<br \/>\n<\/b><\/span><\/span><span style=\"font-family: Palatino, serif; font-size: 12pt;\">B\u00e9atrice DUNOYER, Anne HARTMANN, Camille LASSERRE, sopranos<br \/>\n<\/span><span style=\"font-family: Palatino, serif; font-size: 12pt;\">Laura PHELUT, Fr\u00e9d\u00e9ric SCHWAB, Elise DUCLOS, altos<br \/>\n<\/span><span style=\"font-family: Palatino, serif; font-size: 12pt;\">Denis LECOQ, Richard BENEDICTO, Jean-Paul MEYER t\u00e9nors<br \/>\n<\/span><span style=\"font-family: Palatino, serif; font-size: 12pt;\">Ren\u00e9 SCHIRRER, Jean MOISSONNIER, Maurice SUTTER, basses<\/span><\/p>\n<p align=\"CENTER\"><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\">Violon 1 David BRINKERT<br \/>\n<\/span><\/span><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\">Violon 2 Danilo CAPRIULO<br \/>\n<\/span><\/span><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\">Fl\u00fbte 1\u00a0: Claire SECORDEL<br \/>\n<\/span><\/span><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\">Fl\u00fbtes 2 Catherine WOHLHUTER<br \/>\n<\/span><\/span><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\">Viole de gambe : H\u00e9l\u00e8ne RYDZEK<br \/>\n<\/span><\/span><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\">Viole de gambe\u00a0: Marie-Paule LEFEBVRE<br \/>\n<\/span><\/span><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\">Violoncelle : Lisa ERBES<\/span><\/span><\/p>\n<p align=\"CENTER\">Continuo : Roland LOPES<\/p>\n<p align=\"CENTER\"><span style=\"color: #000000; font-size: 12pt;\"><span style=\"font-family: Palatino, serif;\"><b>Jean-Luc IFFRIG, direction<\/b><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-size: 12pt;\"><span style=\"color: #333333;\"><span style=\"font-family: Palatino, serif;\"><b>L&rsquo;Actus Tragicus BWV 106 <\/b><\/span><\/span><span style=\"color: #333333;\"><span style=\"font-family: Palatino, serif;\">\u00a0Compos\u00e9e probablement \u00e0 l\u2019\u00e2ge de 22 ans, elle renferme une une tr\u00e8s grande charge \u00e9motionnelle. Avec une palette restreinte d\u2019instruments, Bach parvient \u00e0 cr\u00e9er des miracles\u00a0: la sonatine d\u2019ouverture comprend vingt mesures qui sont parmi les plus d\u00e9chirantes de toute son \u0153uvre. Depuis la dissonance languissante des deux violes de gambe jusqu\u2019\u00e0 la fa\u00e7on ravissante dont les deux fl\u00fbtes \u00e0 bec entrelacent et \u00e9changent des notes voisines, glissant vers l\u2019unisson pour s\u2019en \u00e9loigner \u00e0 nouveau, on nous offre ici une musique pour lutter contre la douleur<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-size: 12pt;\"><span style=\"color: #000000;\"><span style=\"font-family: Palatino, serif;\">La cantate\u00a0<\/span><\/span><em><span style=\"color: #000000;\"><span style=\"font-family: Palatino, serif;\"><b>Christ Lag in Todesbanden<\/b><\/span><\/span><\/em><span style=\"color: #000000;\"><span style=\"font-family: Palatino, serif;\"><b>\u00a0BWV 4<\/b><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: Palatino, serif;\"> fut compos\u00e9e en 1707 par le jeune Jean S\u00e9bastien Bach (1685-1750) alors \u00e2g\u00e9 de 22 ans dans le but d\u2019obtenir le poste d\u2019organiste \u00e0 M\u00fclhausen : c\u2019est l\u2019une de ses premi\u00e8res cantates sacr\u00e9es et il y attachera une importance particuli\u00e8re toute sa vie. Tout au long des sept strophes, Bach donne \u00e0 entendre le combat physique et mystique du Christ contre la mort, tout en d\u00e9voilant des tr\u00e9sors d\u2019ing\u00e9niosit\u00e9 pour tenir les contraintes formelles qu\u2019il s\u2019est lui-m\u00eame impos\u00e9es. \u00c0 la fois profonde et technique, cette cantate de Bach est vraiment exceptionnelle.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-size: 12pt;\"><span style=\"color: #000000;\"><span style=\"font-family: Palatino, serif;\"><b>Les concertos vocaux<\/b><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: Palatino, serif;\"> de Matthias Weckmann et surtout Johann Christoph Bach, son oncle, ont sans aucun doute influenc\u00e9 et inspir\u00e9 le jeune JS Bach. Ils sont d&rsquo;une grande expressivit\u00e9 malgr\u00e9 leur \u00e9conomie de moyen, un peu \u00e0 l&rsquo;instar des Kleine Geistliche Konzerte ou des Symphoniae Sacrae de H Sch\u00fctz <\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONCERTS Samedi 19 mars 2022 : g\u00e9n\u00e9rale publique \u00e0 OFFWILLER Dimanche 20 mars 17h00\u00a0: Concert \u00e0 HAGUENAU \u00e9glise protestante Samedi 26 mars 2022\u00a0\u00e0 20h00 : Concert \u00e0 STRASBOURG Ste Aur\u00e9lie<a href=\"https:\/\/hortusmusicalis.fr\/?p=639\" class=\"more-link\"><span class=\"readmore\">Continue reading<span class=\"screen-reader-text\">ACTUS TRAGICUS &#8211; Production mars 2021<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-639","post","type-post","status-publish","format-standard","hentry","category-projets"],"_links":{"self":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts\/639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=639"}],"version-history":[{"count":18,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts\/639\/revisions"}],"predecessor-version":[{"id":1041,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=\/wp\/v2\/posts\/639\/revisions\/1041"}],"wp:attachment":[{"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hortusmusicalis.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}